Bridging Art and Technology

Audio requires a unique and specific approach to match it to a variety of media types.
The audio ideal for an album release on a CD or download, may not be appropriate
for a music video on DVD or broadcast. Different (or lack of) standards concerning
volume levels, headroom, equalization, and applications of meta data, if not understood,
can be the root cause of bad sounding or out of place audio. As producer, director,
musician, or supervisor you may not be interested in the specific details and
decisions that make your audio great; however, you see the big picture, and
how great sounding audio better conveys your message -- your art.

Having been active in the national recording scene for 14 years,
Jimmy Jernigan is the bridge between your art and the technology
that conveys it. His work covers a wide gamut of audio services,
including recording, digital editing, mastering, and sound for
picture, of which he applies his expertise to mold your audio
to meet its potential for your application. His clients include
Warner Brothers / Word Music, Warner Chappell, Universal /
Brentwood Benson, Lifeway, Hal Leonard Corporation,
INO Records, and several independent music and film
companies, Genres covered by his work include, Pop/Rock
albums, Musicals, Orchestral recordings, Feature Films,
Commercials, and Industrials.

Jimmy works passionately to exceed the expectations of
his clients, and to give everyone involved reason to
be proud of the results.

Find out more about Jimmy at:  

Tracking, Overdubs,
Voiceovers / Dialogue, Audio Books, Location Recording, ENG, Double Ended Interviews, Custom Sound Effects

Vocal Tuning, Rhythm Alignment, Track Clean-up, Tempo Maps, Click tracks, Restoration

Stereo and Multichannel mixdowns

Sonic Enhancement, PQ and Meta-Data encoding, Rehearsal Markers, DDP Filesets

Location sound mixing, Meta Data Encoding, ADR, Dialogue Editing, Foley, SFX/Foley Ediitng, Sound Design, Re-recording mixing (stereo and multichannel mixdowns available)